Category: Uncategorized

  • ZOO

    zoo (short for zoological garden; also called an animal park or menagerie) is a facility in which animals are kept within enclosures for public exhibition and often bred for conservation purposes.[1]

    The term zoological garden refers to zoology, the study of animals. The term is derived from the Ancient Greek ζῷον, zōion, ‘animal’, and the suffix -λογία, -logia, ‘study of’. The abbreviation zoo was first used of the London Zoological Gardens, which was opened for scientific study in 1828, and to the public in 1847.[2] The first modern zoo was the Tierpark Hagenbeck by Carl Hagenbeck in Germany. In the United States alone, zoos are visited by over 181 million people annually.[3]

    Etymology

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    London Zoo, 1835

    The London Zoo, which was opened in 1828, was initially known as the “Gardens and Menagerie of the Zoological Society of London”, and it described itself as a menagerie or “zoological forest”.[4] The abbreviation “zoo” first appeared in print in the United Kingdom around 1847, when it was used for the Clifton Zoo, but it was not until some 20 years later that the shortened form became popular in the rhyming song “Walking in the Zoo” by music-hall artist Alfred Vance.[4] The term “zoological park” was used for more expansive facilities in Halifax, Nova ScotiaWashington, D.C., and the Bronx in New York, which opened in 1846, 1891 and 1899 respectively.[5]

    Relatively new terms for zoos, in the late 20th century are “conservation park” or “bio park”. Adopting a new name is a strategy used by some zoo professionals to distance their institutions from the stereotypical and nowadays criticized zoo concept of the 19th century.[6] The term “bio park” was first coined and developed by the National Zoo in Washington D.C. in the late 1980s.[7] In 1993, the New York Zoological Society changed its name to the Wildlife Conservation Society and re branded the zoos under its jurisdiction as “wildlife conservation parks”.[8]

    History

    [edit]

    Royal menageries

    [edit]

    Further information: Menagerie

    The Tower of London housed England‘s royal menagerie for several centuries (picture from the 15th century, British Library).

    The predecessor of the zoological garden is the menagerie, which has a long history from the ancient world to modern times. The oldest known zoological collection was revealed during excavations at HierakonpolisEgypt in 2009, of a c. 3500 BCE menagerie. The exotic animals included hippopotamihartebeestelephantsbaboons and wildcats.[9] King Ashur-bel-kala of the Middle Assyrian Empire created zoological and botanical gardens in the 11th century BCE. In the 2nd century BCE, the Chinese Empress Tanki had a “house of deer” built, and King Wen of Zhou kept a 1,500-acre (6.1 km2) zoo called Ling-Yu, or the Garden of Intelligence. Other well-known collectors of animals included King Solomon of the Kingdom of Israel and Judah, Queen Semiramis and King Ashurbanipal of Assyria, and King Nebuchadnezzar of Babylonia.[10] By the 4th century BCE, zoos existed in most of the Greek city states; Alexander the Great is known to have sent animals that he found on his military expeditions back to Greece. The Roman emperors kept private collections of animals for study or for use in the arena,[10] the latter faring notoriously poorly. The 19th-century historian W. E. H. Lecky wrote of the Roman games, first held in 366 BCE:

    At one time, a bear and a bull, chained together, rolled in fierce combat across the sand … Four hundred bears were killed in a single day under Caligula … Under Nero, four hundred tigers fought with bulls and elephants. In a single day, at the dedication of the Colosseum by Titus, five thousand animals perished. Under Trajan … lions, tigers, elephants, rhinoceroses, hippopotami, giraffes, bulls, stags, even crocodiles and serpents were employed to give novelty to the spectacle.[11]

    Charlemagne had an elephant named Abul-Abbas that was given to him by the Abbasid caliph.

    King Henry I of England kept a collection of animals at his palace in Woodstock which reportedly included lions, leopards, and camels.[12] The most prominent collection in medieval England was in the Tower of London, created as early as 1204 by King John IHenry III received a wedding gift in 1235 of three leopards from Frederick II, Holy Roman Emperor, and in 1264, the animals were moved to the Bulwark, renamed the Lion Tower, near the main western entrance of the Tower. It was opened to the public during the reign of Elizabeth I in the 16th century.[13] During the 18th century, the price of admission was three half-pence, or the supply of a cat or dog for feeding to the lions.[12] The animals were moved to the London Zoo when it opened.

    Aztec emperor Moctezuma had in his capital city of Tenochtitlan a “house of animals” with a large collection of birds, mammals and reptiles in a garden tended by more than 600 employees. The garden was described by several Spanish conquerors, including Hernán Cortés in 1520. After the Aztec revolt against the Spanish rule, and during the subsequent battle for the city, Cortés reluctantly ordered the zoo to be destroyed.[14]

    Enlightenment era

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    The Versailles menagerie during the reign of Louis XIV in the 17th century

    Further information: List of zoos by country

    The oldest zoo in the world still in existence is the Tiergarten Schönbrunn in Vienna, Austria. It was constructed by Adrian van Stekhoven in 1752 at the order of Emperor Francis I, to serve as an imperial menagerie as part of Schönbrunn Palace. The menagerie was initially reserved for the viewing pleasure of the imperial family and the court, but was made accessible to the public in 1765.[15] In 1775, a zoo was founded in Madrid, and in 1795, the zoo inside the Jardin des Plantes in Paris was founded by Jacques-Henri Bernardin, with animals from the royal menagerie at Versailles, primarily for scientific research and education. The planning about a space for the conservation and observation of animals was expressed in connection with the political construction of republican citizenship.[16]

    The Kazan Zoo, the first zoo in Russia was founded in 1806 by the Professor of Kazan State University Karl Fuchs.

    The modern zoo

    [edit]

    Until the early 19th century, the function of the zoo was often to symbolize royal power, like King Louis XIV‘s menagerie at Versailles. Major cities in Europe set up zoos in the 19th century, usually using London and Paris as models. The transition was made from princely menageries designed to entertain high society with strange novelties into public zoological gardens. The new goal was to educate the entire population with information along modern scientific lines. Zoos were supported by local commercial or scientific societies.

    British Empire

    [edit]

    Annual report of the Zoological Society of London, 1836

    The modern zoo that emerged in the 19th century in the United Kingdom,[17] was focused on providing scientific study and later educational exhibits to the public for entertainment and inspiration.[18]

    A growing fascination for natural history and zoology, coupled with the tremendous expansion in the urbanization of London, led to a heightened demand for a greater variety of public forms of entertainment to be made available. The need for public entertainment, as well as the requirements of scholarly research, came together in the founding of the first modern zoos. Whipsnade Park Zoo in Bedfordshire, England, opened in 1931. It allowed visitors to drive through the enclosures and come into close proximity with the animals.

    The Zoological Society of London was founded in 1826 by Stamford Raffles and established the London Zoo in Regent’s Park two years later in 1828.[19] At its founding, it was the world’s first scientific zoo.[10][20] Originally intended to be used as a collection for scientific study, it was opened to the public in 1847.[20] The Zoo was located in Regent’s Park—then undergoing development at the hands of the architect John Nash. What set the London zoo apart from its predecessors was its focus on society at large. The zoo was established in the middle of a city for the public, and its layout was designed to cater for the large London population. The London zoo was widely copied as the archetype of the public city zoo.[21] In 1853, the Zoo opened the world’s first public aquarium.

    Dublin Zoo was opened in 1831 by members of the medical profession interested in studying animals while they were alive and more particularly getting hold of them when they were dead.[22]

    Downs’ Zoological Gardens created by Andrew Downs and opened to the Nova Scotia public in 1847. It was originally intended to be used as a collection for scientific study. By the early 1860s, the zoo grounds covered 40 hectares with many fine flowers and ornamental trees, picnic areas, statues, walking paths, The Glass House (which contained a greenhouse with an aviary, aquarium, and museum of stuffed animals and birds), a pond, a bridge over a waterfall, an artificial lake with a fountain, a wood-ornamented greenhouse, a forest area, and enclosures and buildings.[23][24][25]

    The first zoological garden in Australia was Melbourne Zoo in 1860.

    Germany

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    “Wild” horses in the Erlebnispark Tripsdrill wildlife and theme park near Cleebronn in Southern Germany

    In German states leading roles came Berlin (1841), Frankfurt (1856), and Hamburg (1863). In 1907, the entrepreneur Carl Hagenbeck founded the Tierpark Hagenbeck in Stellingen, now a quarter of Hamburg. His zoo was a radical departure from the layout of the zoo that had been established in 1828. It was the first zoo to use open enclosures surrounded by moats, rather than barred cages, to better approximate animals’ natural environments.[26] He also set up mixed-species exhibits and based the layout on the different organizing principle of geography, as opposed to taxonomy.[27]

    Poland

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    Bear in Silesian Zoological Garden in ChorzówPoland
    The largest tank of the Afrykarium in the Wrocław Zoo shows the depths of the Mozambique Channel, where sharks, rays, and other large pelagic fish can be viewed from this 18 meter long underwater acrylic tunnel

    The Wrocław Zoo (PolishOgród Zoologiczny we Wrocławiu) is the oldest zoo in Poland, opened in 1865 when the city was part of Prussia, and was home to about 10,500 animals representing about 1,132 species (in terms of the number of animal species, it is the third largest in the world[28]). In 2014 the Wrocław Zoo opened the Africarium, the only themed oceanarium devoted solely to exhibiting the fauna of Africa, comprehensively presenting selected ecosystems from the continent of Africa. Housing over 10 thousand animals, the facility’s breadth extends from housing insects such cockroaches to large mammals like elephants on an area of over 33 hectares.[29]

    United States

    [edit]

    See also: Barnum’s American Museum

    In the United States, the Philadelphia Zoo, opened on July 1, 1874, earning its motto “America’s First Zoo.” The Lincoln Park Zoological Gardens in Chicago and the Cincinnati Zoo opened in 1875. In the 1930s, federal relief programs provided financial aid to most local zoos. The Works Progress Administration and similar New Deal government agencies helped greatly in the construction, renovation, and expansion of zoos when the Great Depression severely reduced local budgets. It was “a new deal for animals.”[30]

    The Atlanta Zoo, founded in 1886, suffered neglect. By 1984 it was ranked among the ten worst zoos in the United States. Systematic reform by 2000 put it on the list of the ten best.[31]

    By 2020, the United States featured 230 accredited zoos and aquariums across 45 states, accommodating 800,000 animals, and 6,000 species out of which about 1,000 are endangered. The zoos provide 208,000 jobs, and with an annual budget of $230 million for wildlife conservation. They attract over 200 million visits a year and have special programs for schools. They are organized by the Association of Zoos and Aquariums.[32][33]

    Japan

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    Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882 based on European models. In World War II it was used to teach the Japanese people about the lands recently conquered by the Army. In 1943, fearing American bombing attacks, the government ordered the zoo to euthanize dangerous animals that might escape.[34][35]

    Environmentalism

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    Siberian tiger (Panthera tigris altaica) at Korkeasaari Zoo in HelsinkiFinland

    When ecology emerged as a matter of public interest in the 1970s, a few zoos began to consider making conservation their central role, with Gerald Durrell of the Jersey Zoo, George Rabb of Brookfield Zoo, and William Conway of the Bronx Zoo (Wildlife Conservation Society) leading the discussion. From then on, zoo professionals became increasingly aware of the need to engage themselves in conservation programs, and the American Zoo Association soon said that conservation was its highest priority.[36] In order to stress conservation issues, many large zoos stopped the practice of having animals perform tricks for visitors. The Detroit Zoo, for example, stopped its elephant show in 1969, and its chimpanzee show in 1983, acknowledging that the trainers had probably abused the animals to get them to perform.[37]

    Mass destruction of wildlife habitat has yet to cease all over the world and many species such as elephants, big cats, penguins, tropical birds, primates, rhinos, exotic reptiles, and many others are in danger of dying out. Many of today’s zoos hope to stop or slow the decline of many endangered species and see their primary purpose as breeding endangered species in captivity and reintroducing them into the wild. Modern zoos also aim to help teach visitors the importance of animal conservation, often through letting visitors witness the animals firsthand.[38] Some critics, and the majority of animal rights activists, say that zoos, no matter their intentions, or how noble these intentions, are immoral and serve as nothing but to fulfill human leisure at the expense of the animals (an opinion that has spread over the years). However, zoo advocates argue that their efforts make a difference in wildlife conservation and education.[38]

    Human exhibits

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    Ota Benga, who was featured as a human exhibit in New York, 1906

    Further information: Human zooScientific racism, and Social Darwinism

    Humans were occasionally displayed in cages at zoos along with non-human animals, to illustrate the differences between people of European and non-European origin. In September 1906, William Hornaday, director of the Bronx Zoo in New York—with the agreement of Madison Grant, head of the New York Zoological Society—had Ota Benga, a Congolese pygmy, displayed in a cage with the chimpanzees, then with an orangutan named Dohong, and a parrot. The exhibit was intended as an example of the “missing link” between the orangutan and white man. It triggered protests from the city’s clergymen, but the public reportedly flocked to see Benga.[39][40]

    Humans were also displayed at various events, especially colonial expositions such as the 1931 Paris Colonial Exposition, with the practice continuing in Belgium at least to as late as 1958 in a “Congolese village” display at Expo ’58 in Brussels. These displays, while sometimes called “human zoos”, usually did not take place in zoos or use cages.[41]

    Type

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    Further information: List of zoos by country and Immersion exhibit

    Monkey islands, São Paulo Zoo

    Zoo animals live in enclosures that often attempt to replicate their natural habitats or behavioral patterns, for the benefit of both the animals and visitors. Nocturnal animals are often housed in buildings with a reversed light-dark cycle, i.e. only dim white or red lights are on during the day so the animals are active during visitor hours, and brighter lights on at night when the animals sleep. Special climate conditions may be created for animals living in extreme environments, such as penguins. Special enclosures for birdsmammalsinsectsreptilesfish, and other aquatic life forms have also been developed. Some zoos have walk-through exhibits where visitors enter enclosures of non-aggressive species, such as lemursmarmosets, birds, lizards, and turtles. Visitors are asked to keep to paths and avoid showing or eating foods that the animals might snatch.

    Safari park

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    Main article: Safari park

    Giraffes in the West Midlands Safari Park

    Some zoos keep animals in larger, outdoor enclosures, confining them with moats and fences, rather than in cages. Safari parks, also known as zoo parks and lion farms, allow visitors to drive through them and come in close proximity to the animals.[10] Sometimes, visitors are able to feed animals through the car windows.

    The first safari park was Whipsnade Park in Bedfordshire, England, opened by the Zoological Society of London in 1931 which today (2014) covers 600 acres (2.4 km2). Since the early 1970s, an 1,800 acre (7 km2) park in the San Pasqual Valley near San Diego has featured the San Diego Zoo Safari Park, run by the Zoological Society of San Diego. One of two state-supported zoo parks in North Carolina is the 2,000-acre (8.1 km2North Carolina Zoo in Asheboro.[42] The 500-acre (2.0 km2Werribee Open Range Zoo in Melbourne, Australia, displays animals living in an artificial savannah.

    Aquaria

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    Further information: Public aquarium

    Sea lions at the Melbourne Zoo

    The first public aquarium was opened at the London Zoo in 1853. This was followed by the opening of public aquaria in continental Europe (e.g. Paris in 1859, Hamburg in 1864, Berlin in 1869, and Brighton in 1872) and the United States (e.g. Boston in 1859, Washington in 1873, San Francisco Woodward’s Garden in 1873, and the New York Aquarium at Battery Park in 1896).

    Roadside zoos

    [edit]

    Roadside zoos are found throughout North America, particularly in remote locations. They are often small, for-profit zoos, often intended to attract visitors to some other facility, such as a gas station. The animals may be trained to perform tricks, and visitors are able to get closer to them than in larger zoos.[43] Since they are sometimes less regulated, roadside zoos are often subject to accusations of neglect[44] and cruelty.[45]

    In June 2014 the Animal Legal Defense Fund filed a lawsuit against the Iowa-based roadside Cricket Hollow Zoo for violating the Endangered Species Act by failing to provide proper care for its animals.[46] Since filing the lawsuit, ALDF has obtained records from investigations conducted by the USDA’s Animal and Plant Health Inspection Services; these records show that the zoo is also violating the Animal Welfare Act.[47]

    Petting zoos

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    Main article: Petting zoo

    Petting farm in Berlin Zoological Garden

    A petting zoo, also called petting farms or children’s zoos, features a combination of domestic animals and wild species that are docile enough to touch and feed. To ensure the animals’ health, the food is supplied by the zoo, either from vending machines or a kiosk nearby.

    Animal theme parks

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    Main article: Animal theme park

    An animal theme park is a combination of an amusement park and a zoo, mainly for entertaining and commercial purposes. Marine mammal parks such as Sea World and Marineland are more elaborate dolphinariums keeping whales, and containing additional entertainment attractions. Another kind of animal theme park contains more entertainment and amusement elements than the classical zoo, such as stage shows, roller coasters, and mythical creatures. Some examples are Busch Gardens Tampa Bay in Tampa, Florida, both Disney’s Animal Kingdom and Gatorland in Orlando, FloridaFlamingo Land in North Yorkshire, England, and Six Flags Discovery Kingdom in Vallejo, California.

    Zoo population management

    [edit]

    Sources of animals

    [edit]

    By 2000 most animals being displayed in zoos were the offspring of other zoo animals.[citation needed] This trend, however was and still is somewhat species-specific. When animals are transferred between zoos, they usually spend time in quarantine, and are given time to acclimatize to their new enclosures which are often designed to mimic their natural environment. For example, some species of penguins may require refrigerated enclosures. Guidelines on necessary care for such animals is published in the International Zoo Yearbook.[48] Animal exchanges between facilities are usually made voluntarily, based on a model of cooperation for conservation. Loaned animals usually remain the property of the original park, and any offspring yielded by loaned animals are usually divided between the lending and holding institutions. For decades the capture of wild animals or purchasing of animals has been broadly considered unethical and has not been practiced by reputable zoos.

    Space constraints and surplus animals

    [edit]

    Rhinoceros unicornis found in Tiergarten SchönbrunnVienna

    Especially in large animals, a limited number of spaces are available in zoos. As a consequence, various management tools are used to preserve the space for the genetically most important individuals and to reduce the risk of inbreeding. Management of animal populations is typically through international organizations such as AZA and EAZA.[49] Zoos have several different ways of managing the animal populations, such as moves between zoos, contraception, sale of excess animals and euthanization (culling).[50]

    Contraception can be an effective way to limit a population’s breeding. However it may also have health repercussions and can be difficult or even impossible to reverse in some animals.[51] Additionally, some species may lose their reproductive capability entirely if prevented from breeding for a period (whether through contraceptives or isolation), but further study is needed on the subject.[49] Sale of surplus animals from zoos was once common and in some cases animals have ended up in substandard facilities. In recent decades the practice of selling animals from certified zoos has declined.[50] A large number of animals are culled each year in zoos, but this is controversial.[52] A highly publicized culling as part of population management was that of a healthy giraffe at Copenhagen Zoo in 2014. The zoo argued that his genes already were well-represented in captivity, making the giraffe unsuitable for future breeding. There were offers to adopt him and an online petition to save him had many thousand signatories, but the culling proceeded.[53] Although zoos in some countries have been open about culling, the controversy of the subject and pressure from the public has resulted in others being closed.[50] This stands in contrast to most zoos publicly announcing animal births.[50] Furthermore, while many zoos are willing to cull smaller and/or low-profile animals, fewer are willing to do it with larger high-profile species.[50][52]

    Breeding and cloning

    [edit]

    Many animals breed readily in captivity. Zoos frequently are forced to intentionally limit captive breeding because of a lack of natural wild habitat in which to reintroduce animals.[54] This highlights the importance of in situ conservation, or preservation of natural spaces, in addition to the utility of zoo captive breeding and reintroduction programs. In situ conservation and reintroduction programs are key elements to obtaining certification by reputable organisations such as the Association of Zoos and Aquariums (AZA).[55] Efforts to clone endangered species in the United States, Europe, and Asia are frequently embedded in zoos and zoological parks.[56]

    Justification

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    Conservation and research

    [edit]

    The African plains exhibit at North Carolina Zoo illustrates the dimension of an open-range zoo.

    The position of most modern zoos in AustralasiaAsiaEurope, and North America, particularly those with scientific societies, is that they display wild animals primarily for the conservation of endangered species, as well as for research purposes and education, and secondarily for the entertainment of visitors.[57][58] The Zoological Society of London states in its charter that its aim is “the advancement of Zoology and Animal Physiology and the introduction of new and curious subjects of the Animal Kingdom.” It maintains two research institutes, the Nuffield Institute of Comparative Medicine and the Wellcome Institute of Comparative Physiology. In the United States, the Penrose Research Laboratory of the Philadelphia Zoo focuses on the study of comparative pathology.[10] The World Association of Zoos and Aquariums produced its first conservation strategy in 1993, and in November 2004, it adopted a new strategy that sets out the aims and mission of zoological gardens of the 21st century.[59] When studying behaviour of captive animals, several things should however be taken into account before drawing conclusions about wild populations. Including that captive populations are often smaller than wild ones and that the space available to each animal is often less than in the wild.[60]

    Conservation programs all over the world fight to protect species from going extinct, but many conservation programs are underfunded and under-represented. Conservation programs can struggle to fight bigger issues like habitat loss and illness. It often takes significant funding and long time periods to rebuild degraded habitats, both of which are scarce in conservation efforts. The current state of conservation programs cannot rely solely in situ (on-site conservation) plans alone, ex situ (off-site conservation) may therefore provide a suitable alternative. Off-site conservation relies on zoos, national parks, or other care facilities to support the rehabilitation of the animals and their populations. Zoos benefit conservation by providing suitable habitats and care to endangered animals. When properly regulated, they present a safe, clean environment for the animals to increase populations sizes. A study on amphibian conservation and zoos addressed these problems by writing,

    Whilst addressing in situ threats, particularly habitat loss, degradation and fragmentation, is of primary importance; for many amphibian species in situ conservation alone will not be enough, especially in light of current un-mitigatable threats that can impact populations very rapidly such as chytridiomycosis [an infectious fungal disease]. Ex situ programmes can complement in situ activities in a number of ways including maintaining genetically and demographically viable populations while threats are either better understood or mitigated in the wild[61]

    The breeding of endangered species is coordinated by cooperative breeding programmes containing international studbooks and coordinators, who evaluate the roles of individual animals and institutions from a global or regional perspective, and there are regional programmes all over the world for the conservation of endangered species. In Africa, conservation is handled by the African Preservation Program (APP);[62] in the U.S. and Canada by Species Survival Plans;[63] in Australasia, by the Australasian Species Management Program;[64] in Europe, by the European Endangered Species Program;[65] and in Japan, South Asia, and South East Asia, by the Japanese Association of Zoos and Aquariums, the South Asian Zoo Association for Regional Cooperation, and the South East Asian Zoo Association.

    Positive impacts on local wildlife

    [edit]

    Besides conservation of captive species, large zoos may form a suitable environment for wild native animals such as herons to live in or visit. A colony of black-crowned night herons has regularly summered at the National Zoo in Washington, D.C. for more than a century.[66] Some zoos may provide information to visitors on wild animals visiting or living in the zoo, or encourage them by directing them to specific feeding or breeding platforms.[67][68]

    Roadside zoos

    [edit]

    In modern, well-regulated zoos, breeding is controlled to maintain a self-sustaining, global captive population. This is not the case in some less well-regulated zoos, often based in poorer regions. Overall “stock turnover” of animals during a year in a select group of poor zoos was reported as 20%-25% with 75% of wild caught apes dying in captivity within the first 20 months.[69] The authors of the report stated that before successful breeding programs, the high mortality rate was the reason for the “massive scale of importations.”

    One 2-year study indicated that of 19,361 mammals that left accredited zoos in the U.S. between 1992 and 1998, 7,420 (38%) went to dealers, auctions, hunting ranches, unaccredited zoos and individuals, and game farms.[70]

    Animal welfare in zoos

    [edit]

    Further information: Captivity (animal) and Behavioral enrichment

    Bear cages, one square meter in size, in Dalian zoo, Port Arthur, Liaoning Province, China, in 1997.
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    The welfare of zoo animals varies widely. Many zoos work to improve their animal enclosures and make it fit the animals’ needs, but constraints such as size and expense can complicate this.[71][72] The type of enclosure and the husbandry are of great importance in determining the welfare of animals. Substandard enclosures can lead to decreased lifespans, caused by factors as human diseases, unsafe materials in the cages and possible escape attempts (Bendow 382). However, when zoos take time to think about the animal’s welfare, zoos can become a place of refuge. Today, many zoos are improving enclosures by including tactile and sensory features in the habitat that allow animals to encourage natural behaviors. These additions can prove to be effective in improving the lives of animals in captivity. The tactile and sensory features will vary depending on the species of animal.[73] There are animals that are injured in the wild and are unable to survive on their own, but in the zoos they can live out the rest of their lives healthy and happy (McGaffin). In recent years, some zoos have chosen to move out some larger animals because they do not have the space available to provide an adequate enclosure for them (Lemonic, McDowell, and Bjerklie 50).

    An issue with animal welfare in zoos is that best animal husbandry practices are often not completely known, especially for species that are only kept in a small number of zoos.[60] To solve this organizations like EAZA and AZA have begun to develop husbandry manuals.[74][75]

    Behavioural restriction

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    Many modern zoos attempt to improve animal welfare by providing more space and behavioural enrichments. This often involves housing the animals in naturalistic enclosures that allow the animals to express more of their natural behaviours, such as roaming and foraging. Whilst many zoos have been working hard on this change, in some zoos, some enclosures still remain barren concrete enclosures or other minimally enriched cages.[76]

    Sometimes animals are unable to perform certain behaviors in zoos, like seasonal migration or traveling over large distances. Whether these behaviors are necessary for good welfare however is unclear. Some behaviors are seen as essential for an animal’s welfare whilst others are not.[77] It is however shown that even in limited spaces, certain natural behaviors can still be performed. A study in 2014 for example found that Asian elephants in zoos covered similar or higher walking distances then sedentary wild populations.[78] Migration in the wild can also be related to food scarcity or other unfavorable environmental problems.[79] However a proper zoo enclosure never runs out of food or water, and in case of unfavorable temperatures or weather animals are provided with (indoor) shelter.

    Abnormal behaviour

    [edit]

    Further information: List of abnormal behaviours in animals

    Animals in zoos can exhibit behaviors that are abnormal in their frequency, intensity, or would not normally be part of their behavioural repertoire. Whilst these types of behaviors can be a sign of bad welfare and stress, this is not necessarily the case. Other measurements or behavioral research is advised before determining whether an animal performing stereotypical behavior is living in bad welfare or not.[80] Examples of stereotypical behaviors are pacing, head-bobbing, obsessive grooming and feather-plucking[81] A study examining data collected over four decades found that polar bears, lions, tigers and cheetahs can display stereotypical behaviors in many older exhibits. However they also noted that in more modern naturalistic exhibits, these behaviors could completely disappear.[82] Elephants have also been recorded displaying stereotypical behaviours in the form of swaying back and forth, trunk swaying or route tracing. This has been observed in 54% of individuals in UK zoos.[83] However it has been shown that modern facilities and modern husbandry can greatly decrease or even entirely remove abnormal behaviors. A study of a group of elephants in Planckendael showed that the older wild-caught animals displayed many stereotypical behaviors. These elephants had spent part of their lives either in a circus or in other substandard enclosures. On the other hand, the elephants born in the modern facilities that had lived in a herd their whole life barely displayed any stereotypical behaviors at all.[84] The life history of an animal is thus extremely important when analyzing the causes of stereotypical behavior, as this can be a historical relict instead of a result of present-day husbandry.

    Some zoos have used psychoactive drugs, such as Prozac, in attempting to stop animals from exhibiting the behaviors.[85]

    Longevity

    [edit]

    The influence on a zoological environment on animal’s longevity is not straightforward. A study of 50 mammal species found that 84% of them lived longer in zoos than they would in the wild on average.[86] On the other hand, some research claims that elephants in Japanese zoos would live shorter than their wild counterparts at just 17 years. This has been refuted by other studies however.[87] Such studies might not yet fully represent recent improvements in husbandry. For example, studies show that captive-bred elephants already have a lower mortality risk then wild-caught ones.[88]

    Climate conditions

    [edit]

    Climatic conditions can make it difficult to keep some animals in zoos in some locations. For example, Alaska Zoo had an elephant named Maggie. She was housed in a small, indoor enclosure because the outdoor temperature was too low.[89][90]

    Epidemiology

    [edit]

    Tsetse flies have invaded zoos that have been established in the tsetse zone. More concerning, tsetse-borne species of trypanosomes have entered zoos outside the traditional tsetse zone in infected animals imported and added to their collections. Whether these can be controlled depends on several factors: Vale 1998 found that the technique used in placing attractants was important; and Green 1988, Torr 1994, Torr et al. 1995, and Torr et al. 1997 found the availability for specifically needed attractants for the specific job to also vary widely.[91][92]

    Moral criticism

    [edit]

    Some critics and many animal rights activists argue that zoo animals are treated as voyeuristic objects, rather than living creatures, and often suffer due to the transition from being free and wild to captivity.[93] Ever since imports of wild-caught animals can became more regulated by organizations like CITES and national laws, zoos have started sustaining their populations via breeding. This change started around the 1970s. Many corporations in the form of breeding programs have been set up since, for both common and endangered species.[94][95][96] Emma Marris, writing an opinion piece for The New York Times, suggested zoos “stopped breeding all their animals, with the possible exception of any endangered species with a real chance of being released back into the wild … Eventually, the only animals on display would be a few ancient holdovers from the old menageries, animals in active conservation breeding programs and perhaps a few rescues. Such zoos might even be merged with sanctuaries.”[97]

    In 2017, activist travel company Responsible Travel and anti-captive animal charity the Born Free Foundation conducted an independent survey of 1,000 members of the UK public who had visited a zoo in the previous five years, to gauge public understanding of zoos’ contribution to conservation. The results showed that zoos spend on average ten times less than visitors expect on conservation. It also emerged that three-quarters of visitors would expect at least one-fifth of the animals in a zoo to be endangered. The actual figure, according to the Born Free Foundation, is 10%.[98]

    In light of these findings and ongoing animal welfare concerns,[99] in 2017, Responsible Travel became the first travel company to stop promoting holidays that include visits to a zoo.[100]

    Live feeding

    [edit]

    Globe icon.The examples and perspective in this section deal primarily with China and the United Kingdom and do not represent a worldwide view of the subject. You may improve this section, discuss the issue on the talk page, or create a new section, as appropriate. (January 2022) (Learn how and when to remove this message)

    In some countries, feeding live vertebrates to zoo animals is illegal under most circumstances. The UK Animal Welfare Act of 2006, for example, states that prey must be killed for feeding, unless this threatens the health of the predator.[101] Some zoos had already adopted such practices prior to the implementation of such policies. London Zoo, for example, stopped feeding live vertebrates in the 20th century, long before the Animal Welfare Act.[101] Despite being illegal in China, some zoos have been found to still feed live vertebrates to their predators. In some parks like Xiongsen Bear and Tiger Mountain Village, live chickens and other livestock were found to be thrown into the enclosures of tigers and other predators. In Guilin, in south-east China, live cows and pigs are thrown to tigers to amuse visitors. Other Chinese parks like Shenzhen Safari Park have already stopped this practice after facing heavy criticism.[102]

    Regulation

    [edit]

    WPA 1937 poster promoting visits to American zoos

    United States

    [edit]

    In the United States, any public animal exhibit must be licensed and inspected by the Department of Agriculture, the Environmental Protection Agency, and the Occupational Safety and Health Administration. Depending on the animals they exhibit, the activities of zoos are regulated by laws including the Endangered Species Act, the Animal Welfare Act, the Migratory Bird Treaty Act of 1918 and others.[103]

    Additionally, zoos in several countries may choose to pursue accreditation by the Association of Zoos and Aquariums (AZA), which originated in the U.S. To achieve accreditation, a zoo must pass an application and inspection process and meet or exceed the AZA’s standards for animal health and welfare, fundraising, zoo staffing, and involvement in global conservation efforts. Inspection is performed by three experts (typically one veterinarian, one expert in animal care, and one expert in zoo management and operations) and then reviewed by a panel of twelve experts before accreditation is awarded. This accreditation process is repeated once every five years. The AZA estimates that there are approximately 2,400 animal exhibits operating under USDA license as of February 2007; fewer than 10% are accredited.[104]

    Europe

    [edit]

    The European Union introduced a directive to strengthen the conservation role of zoos, making it a statutory requirement that they participate in conservation and education, and requiring all member states to set up systems for their licensing and inspection.[105] Zoos are regulated in the UK by the Zoo Licensing Act of 1981, which came into effect in 1984. A zoo is defined as any “establishment where wild animals are kept for exhibition […] to which members of the public have access, with or without charge for admission, seven or more days in any period of twelve consecutive months”, excluding circuses and pet shops. The Act requires that all zoos be inspected and licensed, and that animals kept in enclosures are provided with a suitable environment in which they can express most normal behavior.[105]

  • Linkin Park

    Linkin Park is an American rock band formed in Agoura Hills, California, in 1996. The band’s current lineup consists of vocalist/rhythm guitarist/keyboardist Mike Shinoda, lead guitarist Brad Delson, DJ/turntablist Joe Hahn, bassist Dave Farrell, vocalist Emily Armstrong, and drummer Colin Brittain. The lineup for the band’s first seven studio albums included lead vocalist Chester Bennington and drummer Rob Bourdon until Bennington’s suicide in July 2017, which caused the band to enter an indefinite hiatus. In September 2024, Linkin Park’s reformation was announced along with the addition of Armstrong and Brittain.

    Categorized mainly as alternative rock and nu metal, Linkin Park’s earlier music spanned a fusion of heavy metal and hip hop, while their later music features more electronica and pop elements. Linkin Park rose to international fame with their debut studio album, Hybrid Theory (2000), which became certified Diamond by the Recording Industry Association of America (RIAA). Released during the peak of the nu metal scene, the album’s singles’ heavy airplay on MTV led to the singles “One Step Closer“, “Crawling“, and “In the End” all charting highly on the US Mainstream Rock chart. The lattermost also crossed over to the number two spot on the nation’s Billboard Hot 100.[2] Their second album, Meteora (2003), continued the band’s success.[3] The band explored experimental sounds on their third album, Minutes to Midnight (2007).[4] By the end of the decade, Linkin Park was among the most successful and popular rock acts.[5]

    The band continued to explore a wider variation of musical types on their fourth album, A Thousand Suns (2010), layering their music with more electronic sounds. The band’s fifth album, Living Things (2012), combined musical elements from all of their previous records. Their sixth album, The Hunting Party (2014), returned to a heavier rock sound, while their seventh album, One More Light (2017), was a substantially more pop-oriented record. The band’s eighth album, From Zero, was released in November 2024.

    Linkin Park is among both the best-selling bands of the 21st century and the world’s best-selling music artists, having sold over 100 million records worldwide.[6] They have won two Grammy Awards, six American Music Awards, four Billboard Music Awards, four MTV Video Music Awards, 10 MTV Europe Music Awards, and three World Music Awards. In 2003, MTV2 named Linkin Park the sixth-greatest band of the music video era and the third-best of the new millennium. Billboard ranked Linkin Park No. 19 on the Best Artists of the Decade list. In 2012, the band was voted as the greatest artist of the 2000s in a Bracket Madness poll on VH1. In 2014, the band was declared “the Biggest Rock Band in the World Right Now” by Kerrang!.

    History

    1996–2000: Foundation and early years

    Linkin Park was founded by three high school friends: Mike ShinodaRob Bourdon, and Brad Delson.[7] The three attended Agoura High School in Agoura Hills, California, a suburb of Los Angeles.[7] After graduating from high school, the three began to take their musical interests more seriously, recruiting Joe HahnDave “Phoenix” Farrell, and Mark Wakefield to perform in their band, then called Xero. Though limited in resources, the band began recording and producing songs within Shinoda’s makeshift bedroom studio in 1996, resulting in a four-track demo album, entitled Xero, released in November 1997.[7] That same month, the band performed their first show, opening for SX-10 and System of a Down at the Whisky a Go Go, a nightclub in West Hollywood.[8] Delson introduced the band to Jeff Blue, the vice president of A&R for Zomba Music, whom he had interned for in college.[9] Blue offered the band constructive criticism to catch the attention of record labels. Blue himself was impressed with Xero after watching them play a live show in 1998 but believed the band needed a different vocalist.[9] Tensions and frustration within the band grew after they failed to land a record deal.[7] The lack of success and stalemate in progress prompted Wakefield, at that time the band’s vocalist, to leave the band in search of other projects.[7] Farrell also left to tour with Tasty Snax, a Christian punk and ska band.[10][11]

    After spending a considerable time searching for Wakefield’s replacement, Xero recruited Chester Bennington, a vocalist from Arizona who was recommended by Jeff Blue in March 1999.[12][13] Bennington, formerly of alternative rock band Grey Daze, became a standout among applicants because of the dynamic in his singing style.[7] The band then agreed on changing their name from Xero to Hybrid Theory; the newborn vocal chemistry between Shinoda and Bennington helped revive the band, inciting them to work on new material.[7][14] Additionally, the band recruited bassist Kyle Christner on a temporary basis.[15] In May 1999, the band released a self-titled extended play, which they circulated across internet chat-rooms and forums with the help of an online “street team“.[16] In October 1999, Christner was replaced by Scott Koziol and Ian Hornbeck, whom along with Delson, provided bass tracks for the band’s recordings.[15][17]

    The band still struggled to sign a record deal. They turned to Jeff Blue for additional help after facing numerous rejections from several major record labels.[12] After failing to catch Warner Bros. Records on three previous reviews, Blue, who was now the vice president of Warner Bros. Records, helped the band sign a deal with the company as a developing artist in 1999.[18][19] However, the label advised the band to change their name to avoid confusion with Hybrid.[20][21] The band considered the names “Plear” and “Platinum Lotus Foundation” before deciding on “Linkin Park”,[22] a play on and homage to Santa Monica‘s Lincoln Park,[7] now called Christine Emerson Reed Park.[23] They initially wanted to use the name “Lincoln Park”; however, they changed it to “Linkin” to acquire the internet domain “linkinpark.com”.[21][24]

    Bennington and Shinoda both reported that Warner Bros. Records was skeptical of Linkin Park’s initial recordings.[25] The label’s A&R was not pleased with the band’s hip-hop and rock-style approach.[26] An A&R representative suggested that Bennington should demote or fire Shinoda and exclusively focus on making a rock record.[26] Bennington supported Shinoda and refused to compromise Linkin Park’s vision for the album.[26] Farrell returned in late 2000, and the band released their breakthrough album, Hybrid Theory, that same year.[12]

    2000–2002: Hybrid Theory and Reanimation

    Main articles: Hybrid Theory and Reanimation

    Joe Hahn performing with Linkin Park at Rock am Ring in 2001

    Linkin Park released Hybrid Theory on October 24, 2000.[27] The album, which represented half a decade’s worth of the band’s work, was edited by Don Gilmore.[7] Hybrid Theory was a massive commercial success; it sold more than 4.8 million copies during its debut year, earning it the status of best-selling album of 2001. Singles such as “Crawling” and “One Step Closer” established themselves as staples among alternative rock radio play lists during the year,[10] and “In the End” peaked at No. 2 on the US Billboard Hot 100, the band’s highest to date.[28][29] Additionally, other singles from the album were featured in films such as Dracula 2000Little Nicky, and Valentine.[10] Hybrid Theory won a Grammy Award for Best Hard Rock Performance for the song “Crawling” and was nominated for two other Grammy AwardsBest New Artist and Best Rock Album.[30] MTV awarded the band their Best Rock Video award for “In the End“.[7][31]

    During this time, Linkin Park received many invitations to perform on many high-profile tours and concerts including OzzfestFamily Values Tour, and KROQ Almost Acoustic Christmas.[10][32] The band worked with Jessica Sklar to found their official fan club and street team, “Linkin Park Underground”, in November 2001.[33][34] Linkin Park also formed their own tour, Projekt Revolution, which featured other artists such as Cypress HillAdema, and Snoop Dogg.[12] Within a year, Linkin Park had performed at over 320 concerts.[7] The experiences and performances of the precocious band were documented in their first DVDFrat Party at the Pankake Festival, which debuted in November 2001. Now reunited with former bassist Phoenix, the band began work on a remix album, dubbed Reanimation, which would include works from Hybrid Theory and non-album tracks.[10] Reanimation debuted on July 30, 2002, featuring the likes of Black ThoughtJonathan DavisAaron Lewis, and many others.[35] Reanimation claimed the second spot on the Billboard 200, and sold nearly 270,000 copies during its debut week.[36] Hybrid Theory is also in the RIAA‘s Top 100 Albums.[37]

    2002–2004: Meteora

    Main article: Meteora

    Following the success of Hybrid Theory and Reanimation, Linkin Park spent a significant amount of time touring around the United States. The band members began to work on new material amidst their saturated schedule, spending a sliver of their free time in their tour bus’s studio.[38] The band officially announced the production of a new studio album in December 2002, revealing their new work was inspired by the rocky region of Meteora in Greece, where numerous monasteries have been built on top of the rocks.[39] Meteora features a mixture of the band’s nu metal and rap metal style with newer innovative effects, including the induction of a shakuhachi (a Japanese flute made of bamboo) and other instruments.[7] Linkin Park’s second album debuted on March 25, 2003, and instantly earned worldwide recognition,[7] peaking at No. 1 on the Rock & Metal Albums Chart.[40]

    Meteora sold more than 800,000 copies during its first week, and it ranked as the best-selling album on the Billboard charts at the time.[41] The album’s singles, including “Somewhere I Belong“, “Breaking the Habit“, “Faint“, and “Numb“, received significant radio attention.[42] By October 2003, Meteora sold nearly three million copies.[43] The album’s success allowed Linkin Park to form another Projekt Revolution, which featured other bands and artists including MudvayneBlindside, and Xzibit.[7] Additionally, Metallica invited Linkin Park to play at the Summer Sanitarium Tour 2003, which included well-known acts such as Limp Bizkit, Mudvayne and Deftones.[44] The band released an album and DVD, titled Live in Texas, which featured some audio and video tracks from the band’s performances in Texas during the tour.[7][45] In early 2004, Linkin Park started a world tour titled the Meteora World Tour. Supporting bands on the tour included HoobastankP.O.D., and Story of the Year.[46][47]

    Meteora earned the band multiple awards and honors. The band won the MTV awards for Best Rock Video for “Somewhere I Belong”[48][49] and the Viewer’s Choice Award for “Breaking the Habit”.[50] Linkin Park also received significant recognition during the 2004 Radio Music Awards, winning the Artist of the Year and Song of the Year (“Numb”) awards.[51] Although Meteora was not nearly as successful as Hybrid Theory, it was the third best selling album in the United States during 2003.[10] The band spent the first few months of 2004 touring around the world, first with the third Projekt Revolution tour, and later several European concerts.[10] At the same time, the band’s relationship with Warner Bros. Records was deteriorating rapidly on account of several trust and financial issues.[52] After months of feuding, the band finally negotiated a deal in December 2005.[53]

    2004–2006: Side projects

    Main articles: Collision CourseFort Minor, and Dead by Sunrise

    Following Meteora’s success, the band worked on many side projects.[54] Bennington appeared on DJ Lethal‘s “State of the Art” and other work with Dead by Sunrise, while Shinoda did work with Depeche Mode, creating the remix song “Enjoy the Silence 04“.[10] In 2004, the band began to work with Jay-Z to produce another remix album, titled Collision Course. The album, which featured intermixed lyrics and background tracks from both artists’ previous albums, debuted in November 2004. Shinoda also formed Fort Minor as a side project. With the aid of Jay-Z, Fort Minor released their debut album, The Rising Tied, to critical acclaim.[55][56]

    Linkin Park also participated in numerous charitable events, which included raising money to benefit victims of Hurricane Charley in 2004 and later Hurricane Katrina in 2005.[10] The band donated $75,000 to the Special Operations Warrior Foundation in March 2004.[57] They also helped relief efforts for the 2004 Indian Ocean tsunami victims by staging several charity concerts and setting up an additional fund called Music for Relief.[58] The band participated at Live 8, a series of charitable benefit concerts set up to raise global awareness.[59] Alongside Jay-Z, the band performed on Live 8’s stage in Philadelphia, Pennsylvania, to a global audience.[59] The band would later be reunited with Jay-Z at the Grammy Award Ceremony 2006, during which they performed “Numb/Encore“, en route to winning a Grammy for Best Rap/Sung Collaboration.[60][61] They were joined on stage by Paul McCartney who added verses from the song “Yesterday“.[62][63] They would later go on to play at the 2006 Summer Sonic music festival, which was hosted by Metallica in Japan.[64]

    2006–2008: Minutes to Midnight

    Main article: Minutes to Midnight

    Linkin Park performing at Nova Rock Festival on June 17, 2007

    Linkin Park returned to the recording studios in 2006 to work on new material. To produce the album, the band chose producer Rick Rubin. Despite initially stating the album would debut sometime in 2006, it was delayed until 2007.[65] The band had recorded thirty to fifty songs in August 2006, when Shinoda stated the album was halfway completed.[65][66] Bennington later added that the new album would stray away from their previous nu metal sound.[67] Warner Bros. Records officially announced that the band’s third studio album, titled Minutes to Midnight, would be released on May 15, 2007, in the United States.[68][69] After spending fourteen months working on the album, the band members opted to further refine their album by removing five of the original seventeen tracks. The album’s title, a reference to the Doomsday Clock, foreshadowed the band’s new lyrical themes.[70] Minutes to Midnight sold over 623,000 copies in its first week, making it one of the most successful debut week albums in recent years.[71] The album also took the top spot on the Billboard Charts.[71]

    Rob Bourdon with Linkin Park on May 25, 2007, during their Minutes to Midnight World Tour

    The album’s first single, “What I’ve Done“, was released on April 2,[68] and premiered on MTV and Fuse within the same week.[72] The single peaked at no. 7 on the Billboard Hot 100.[73] The song is also used in soundtrack for the 2007 action film, Transformers.[74][75] Mike Shinoda was also featured on the Styles of Beyond song “Second to None”, which was also included in the film.[75] Later in the year, the band won the “Favorite Alternative Artist” in the American Music Awards.[76] The band also saw success with the rest of the album’s singles, “Bleed It Out“, “Shadow of the Day“, “Given Up“, and “Leave Out All the Rest“, which were released throughout 2007 and early 2008. The band also collaborated with Busta Rhymes on his single “We Made It“, which was released on April 29.[77]

    Mike Shinoda performing with Linkin Park in 2008 during the Projekt Revolution tour

    Linkin Park embarked on a large world tour titled “Minutes to Midnight World Tour“. The band promoted the album’s release by forming their fourth Projekt Revolution tour in the United States which included many musical acts like My Chemical RomanceTaking Back SundayHIMPlacebo, and many others.[78] They also played numerous shows in Europe, Asia, and Australia which included a performance at Live Earth Japan on July 7, 2007.[79] and headlining Download Festival in Donington Park, England[80] and Edgefest in Downsview ParkTorontoOntarioCanada.[81] The band completed touring on their fourth Projekt Revolution tour before taking up an Arena tour around the United Kingdom, visiting NottinghamSheffield and Manchester,[82] before finishing on a double night at the O2 arena in London.[83] Bennington stated that Linkin Park plans to release a follow-up album to Minutes to Midnight.[84] However, he stated the band will first embark on a United States tour to gather inspiration for the album.[84] Linkin Park embarked on another Projekt Revolution tour in 2008.[85] The United States Projekt Revolution tour featured Chris Cornellthe BraveryAshes DivideStreet Drum Corps and many others.[85] Mike Shinoda announced a live CD/DVD titled Road to Revolution: Live at Milton Keynes, which is a live video recording from the Projekt Revolution gig at the Milton Keynes Bowl on June 29, 2008, which was officially released on November 24, 2008.[86]

    2008–2011: A Thousand Suns

    Main article: A Thousand Suns

    In May 2009, Linkin Park announced they were working on a fourth studio album, which was planned to be released in 2010. Shinoda told IGN that the new album would be ‘genre-busting,’ while building off of elements in Minutes to Midnight.[87] He also mentioned that the album would be more experimental and “hopefully more cutting-edge”.[88] Bennington also addressed the media to confirm that Rick Rubin would return to produce the new album.[89] The band later revealed the album would be called A Thousand Suns.[90] While working on the new album, Linkin Park worked with successful film composer Hans Zimmer to produce the score for Transformers: Revenge of the Fallen.[91] The band released a single for the movie, titled “New Divide“.[92][93] Joe Hahn created a music video for the song, which featured clips from the film.[92] On June 22, Linkin Park played a short set in Westwood Village after the premier of the movie.[94] After completing work for Transformers: Revenge of the Fallen, the band returned to the studio to finalize their album.[95]

    Linkin Park performing at Sonisphere Festival in Pori, Finland, on July 25, 2009
    Brad Delson performing with Linkin Park on A Thousand Suns World Tour in 2010

    On April 26, the band released an app for the iPhoneiPod Touch, and iPad, a game called 8-Bit Rebellion! It featured the band as playable characters, and a new song called “Blackbirds” which was unlockable by beating the game. The song was also later released as an iTunes bonus track on A Thousand Suns.[96]

    A Thousand Suns was released on September 14.[90][97] The album’s first single, “The Catalyst“, was released on August 2.[98][99] The band promoted their new album by launching a concert tour, which started in October 2010.[100] Other singles from the album include, “Waiting for the End“,[101][102] “Burning in the Skies“,[103] and “Iridescent“.[104] Furthermore, a documentary about the album’s production, titled Meeting of A Thousand Suns, was available.[105] On August 31, 2010, it was announced that the band would perform “The Catalyst” live for the first time at the 2010 MTV Video Music Awards on September 12, 2010.[106] The venue of the debut live performance of the single was Griffith Observatory, a location used in Hollywood movies.[107][108][109]

    Linkin Park reached No.9 in the Billboard Social 50, a chart of the most active artists on the world’s leading social networking sites.[110] In other Billboard Year-End charts, the band reached No.92 in the “Top Artists” chart,[111] as well as A Thousand Suns reaching No.53 in the Year-End chart of the Billboard Top 200 albums[112] and “The Catalyst” reaching No.40 in the Year-End Rock Songs chart.[113]

    The band was nominated for six Billboard Awards in 2011 for Top Duo or Group, Best Rock Album for A Thousand Suns, Top Rock Artist, Top Alternative Artist, Top Alternative Song for “Waiting for the End” and Top Alternative Album for A Thousand Suns, but did not win any award.[114] The band charted in numerous Billboard Year-End charts in 2011. The band was No.39 in the Top Artists Chart,[115] No.87 in the Billboard 200 Artists chart,[116] No.11 in the Social 50 Chart,[117] No.6 in the Top Rock Artists Chart,[118] No.9 in the Rock Songs Artists Chart,[119] No.16 in the Rock Albums Chart,[120] No.4 in the Hard Rock Albums Chart,[121] and No.7 in the Alternative Songs Chart.[122]

    2011–2013: Living Things and Recharged

    Main articles: Living Things and Recharged (Linkin Park album)

    Linkin Park performing in Berlin in October 2010. From left to right: Joe HahnDave FarrellBrad DelsonMike ShinodaRob Bourdon and Chester Bennington.

    In July 2011, Bennington told Rolling Stone that Linkin Park aims to produce a new album every eighteen months, and that he would be shocked if a new album did not come out in 2012.[123][124] He later revealed in another interview in September 2011 that the band was still in the beginning phases of the next album, saying “We just kind of began. We like to keep the creative juices flowing, so we try to keep that going all the time … we like the direction that we’re going in”.[125] On March 28, 2012, Shinoda confirmed that the band is filming a music video for “Burn It Down“,[126] directed by Joe Hahn.[127] Shinoda spoke to Co.Create about the album’s art, saying that it will “blow them [the fans] away … the average person is not going to be able to look at it and go, I understand that that’s completely new, like not just the image but the way they made the image is totally new. So there’s going to be that”.[128]

    In April 2012, the band announced that Living Things would be the title of their fifth album and called it a “return to form”.[129][130] Shinoda stated that they chose the title Living Things because the album is more about people, personal interactions, and it is far more personal than their previous albums.[131] The album’s lead single, “Burn It Down”, was released on April 16.[126] The band promoted the album on the 2012 edition of the Honda Civic Tour, with co-headliners Incubus.[132][133][134] Other singles from the album include “Lost in the Echo“,[135] “Powerless“,[136] and Castle of Glass“.[137] The band performed “Burn It Down” at 2012 Billboard Music Awards.[138][139] On May 25, the band released the music video for “Burn It Down”[132] and debuted “Lies Greed Misery“, another song from Living Things.[140] “Powerless”, the twelfth and closing track of the album, was featured in the closing credits of the film Abraham Lincoln: Vampire Hunter.[136]

    Living Things was released on June 26 in the United States.[129][130][131][132] The album sold over 223,000 copies during its debut week, ranking No. 1 on the US Albums Charts.[141] Linkin Park’s single “Castle of Glass” was nominated for ‘Best Song in a Game’ at the 2012 Spike Video Game Awards.[142] The band also performed at the award ceremony on December 7, but lost the award to “Cities” by Beck.[142] Linkin Park also played at the Soundwave music festival in Australia, where they shared the stage with MetallicaParamoreBlink-182, and Sum 41.[143][144]

    On August 10, 2013, the band collaborated with American musician Steve Aoki to record the song “A Light That Never Comes” for Linkin Park’s online puzzle-action game LP Recharge (short for Linkin Park Recharge), which was launched on Facebook and the official LP Recharge website on September 12, 2013.[145] The song would later be included on a remix album, entitled Recharged,[146] which was released on October 29, 2013.[147][148] Similar to Reanimation, the album features remixes of ten of the songs from Living Things, with contributions from other artists, such as Pusha T, Datsik, KillSonik, Bun BMoney Mark, and Rick Rubin.[149] The band also worked on the soundtrack for the film Mall, which was directed by Joe Hahn.[150][151]

    2013–2015: The Hunting Party

    Main article: The Hunting Party

    In an interview with Fuse, Shinoda confirmed that Linkin Park had begun recording their sixth studio album in May 2013.[152] The band released the first single from their upcoming album, titled, “Guilty All the Same” (featuring Rakim) on March 6, 2014, through Shazam.[153] The single was later released on the following day by Warner Bros. Records and debut at No. 27 on the US Billboard Rock Airplay charts before peaking at No. 1 on the Mainstream Rock charts in the following weeks.[154][155] Shortly after the single’s release, the band revealed their sixth album would be titled The Hunting Party.[156] The album was produced by Shinoda and Delson, who wanted to explore musical elements from Hybrid Theory and the band’s earlier material.[157] Shinoda commented the album is a “90s style of rock record”. He elaborated, “It’s a rock record. It’s loud and it’s rock, but not in the sense of what you’ve heard before, which is more like ’90s hardcorepunkthrash.’[158] The album includes musical contributions from rapper RakimPage Hamilton of HelmetTom Morello of Rage Against the Machine, and Daron Malakian of System of a Down.[159][160] The songs “Until It’s Gone“,[161] “Wastelands“,[160] “Rebellion” (featuring Daron Malakian),[162] and “Final Masquerade[163] were released as singles from the album. The Hunting Party was released on June 13, 2014,[164] in most countries, and later released in the United States on June 17.[165]

    Dave Farrell performing with Linkin Park at Rock im Park in 2014
    Bennington and Shinoda performing live in Montreal on August 23, 2014

    Linkin Park performed at Download Festival on June 14, 2014, where they played their debut album, Hybrid Theory, in its entirety.[166][167][168] Linkin Park headlined Rock am Ring and Rock im Park in 2014, along with MetallicaKings of Leon, and Iron Maiden.[169][170] They also headlined with Iron Maiden again at the Greenfield Festival in July.[171] On June 22, Linkin Park made an unscheduled headline appearance at the Vans Warped Tour, where they played with members of Issuesthe Devil Wears PradaA Day To RememberYellowcardBreathe CarolinaFinch, and Machine Gun Kelly.[172] In January 2015, the band embarked on a tour to promote the release of The Hunting Party, consisting of 17 concerts across the United States and Canada. The tour was canceled after only three concerts when Bennington injured his ankle.[173][174][175] On May 9, Linkin Park performed at the first edition of Rock in Rio USA, in direct support for Metallica.[176][177]

    On November 9, 2014, MTV Europe named Linkin Park the “Best Rock” act of 2014 at their annual music awards ceremony.[178] The band won the ‘Best Rock Band’ and ‘Best Live Act’ titles of 2014 on Loudwire‘s Music Awards.[179] Revolver ranked The Hunting Party as the fourth best album of 2014.[180] In an interview with AltWire on May 4, Shinoda reflected on The Hunting Party and commented on Linkin Park’s future, stating; “I’m really happy with the reaction from The Hunting Party, and I think we’re ready to move somewhere new on the next album, which will be coming [in 2016]”.[181]

    Linkin Park collaborated with Steve Aoki on the song “Darker Than Blood” for Aoki’s album Neon Future II, which was released in May 2015.[182] The first preview of the song came during Aoki’s performance on February 28, 2015, at the Aragon Ballroom in Chicago, Illinois.[183] The song was debuted on Twitch on April 13 and released on April 14.[184]

    Linkin Park performed at the closing ceremony of BlizzCon 2015, Blizzard’s video game convention.[185][186]

    2015–2017: One More Light and Bennington’s death

    Main article: One More Light

    Linkin Park began working on new material for a seventh studio album in November 2015.[187] Chester Bennington commented on the album’s direction by stating, “We’ve got a lot of great material that I hope challenges our fanbase as well as inspires them as much as it has us.”[188] In February 2017, Linkin Park released promotional videos on their social network accounts, which featured Shinoda and Bennington preparing new material for the album.[189] Mike Shinoda stated the band was following a new process when producing the album. Brad Delson elaborated: “We’ve made so many records and we clearly know how to make a record and we definitely didn’t take the easy way out this time.”[190]

    One of Bennington’s final performances with Linkin Park on July 4, 2017, at the O2 Brixton Academy in London

    The first single from the new album was revealed to be titled “Heavy“; it features pop singer Kiiara, marking the first time the band featured a female vocalist on an original song for a studio album. The lyrics for the song were cowritten by Linkin Park with Julia Michaels and Justin Tranter.[191] The single was released on February 16.[192][193] As they have done in the past, Linkin Park had cryptic messages online in relation to the new album. The album cover was revealed through digital puzzles across social media; the cover features six kids playing in the ocean.[194] The band’s seventh album, One More Light, was released on May 19, 2017.[195][196] The promotional singles, “Battle Symphony“, “Good Goodbye” (featuring Pusha T and Stormzy), and “Invisible” were also released prior to the album’s release.[197][198][199]

    Bennington died on July 20, 2017; his death was ruled a suicide by hanging.[200] Shinoda confirmed Bennington’s death on Twitter, writing, “Shocked and heartbroken, but it’s true. An official statement will come out as soon as we have one”.[201] The band had released a music video for their single “Talking to Myself” earlier that day.[202] One day after Bennington’s death, the band canceled the North American leg of their One More Light World Tour.[203] On the morning of July 24, Linkin Park released an official statement on their website as a tribute to Bennington.[204][205] On July 28, Shinoda announced that donations made to the band’s Music for Relief charity would be redirected to the One More Light Fund, which had been set up in Bennington’s memory.[206] On August 4, when the band was initially scheduled to play on Good Morning AmericaSoundgarden vocalist Chris Cornell‘s twelve-year-old daughter Toni appeared with OneRepublic to perform “Hallelujah” as a tribute to Bennington (who was the godfather to her younger brother, Christopher) and her father.[207][208] Bennington had previously performed the song at the funeral for Cornell, who had also died from a suicide by hanging two months earlier.[207]

    Bennington performing in a crowd of people with flashlights was used prominently in the music video for “One More Light” in the wake of his passing.

    On August 22, Linkin Park announced plans to hold a tribute concert in Los Angeles to honor Bennington. The band thanked fans for their support, stating, “The five of us are so grateful for all of your support as we heal and build the future of Linkin Park”.[209] The title track of One More Light was released as a single on October 3.[210] The band later confirmed that the concert, titled Linkin Park and Friends: Celebrate Life in Honor of Chester Bennington, would take place on October 27 at the Hollywood Bowl.[211][212] The event featured multiple guests performing Linkin Park songs along with the band.[213] The event was over three hours long and was streamed live via YouTube.[214] As of September 2024, it has 25 million views.[215]

    The band considered fulfilling their planned Japanese tour dates after the tribute concert, but cancelled the shows on October 3.[216] In November 2017, Linkin Park announced that a live album compiled from their final tour with Bennington, titled One More Light Live, would be released on December 15.[217][218] On November 19, Linkin Park received an American Music Award for Favorite Alternative Artist and dedicated the award to Bennington.[219][220]

    2017–2023: Hiatus and reissues

    Linkin Park went on hiatus following Bennington’s death.[221]

    On January 28, 2018, Shinoda replied to a tweet from a fan inquiring about his future with Linkin Park, writing, “I have every intention on continuing with LP, and the guys feel the same. We have a lot of rebuilding to do, and questions to answer, so it’ll take time.”[222] On March 29, however, Shinoda stated that he was uncertain of Linkin Park’s future when being interviewed by Vulture.[223] On April 17, Linkin Park was nominated for three awards at the 2018 Billboard Music Awards but did not win any of them.[224] The band was presented with The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on May 18.[225] On February 18, 2019, Shinoda said in an interview that the band is open to the idea of continuing though what form that takes has yet to be decided. Shinoda stated “I know the other guys, they love to be onstage, they love to be in a studio, and so to not do that would be like, I don’t know, almost like unhealthy.” When asked about the band’s future minus Bennington, Shinoda stated, “It’s not my goal to look for a new singer. If it does happen, it has to happen naturally. If we find someone that is a great person and good stylistic fit, I could see trying to do some stuff with somebody. I would never want to feel like we are replacing Chester.”[226]

    Shinoda, Farrell and Hahn began working on new music together, without any public announcement, by 2019, and were later rejoined by Delson, although Bourdon chose not to participate. The band met Dead Sara vocalist Emily Armstrong in 2019, and began working on music with her shortly after, along with various other musicians, including drummer Colin Brittain.[1] On April 28, 2020, bassist Dave Farrell revealed the band was working on new music.[227] On August 13, the band released “She Couldn’t“, a track that was originally recorded in 1999, and it was included on a 20th anniversary edition of their debut album Hybrid Theory, released on October 9.[228] On January 8, 2021, Linkin Park released a remix of “One Step Closer” by American electronic duo 100 gecs. The band revealed it was the first of many new remixes inspired by Reanimation to come.[229] On October 29, when asked about the band playing live shows again, Shinoda stated, “Now is not the time [for the band’s return]. We don’t have the focus on it. We don’t have the math worked out. And I don’t mean that by financially math, I mean that like emotional and creative math.”[230] In April 2022, Shinoda reiterated that the band was not working on a new album, new music, or touring.[231][232]

    In February 2023, the band started an interactive game on their website teasing the 20th anniversary of Meteora.[233] On February 6, they revealed a previously unreleased demo, “Lost“, that was formally released on February 10, as the lead single from the reissue of the album, released on April 7.[234][235] The second single, “Fighting Myself” was released on March 24.[236][237]

    2023–present: Reformation and From Zero

    Main article: From Zero

    Emily Armstrong performing with Linkin Park in November 2024

    Unbeknownst to the public, in 2023, the band approached Armstrong and Brittain to reform as Linkin Park to record and release new music and perform the band’s back catalogue.[1] A previously unreleased song from the One More Light sessions, “Friendly Fire“, was released on February 23, 2024.[238][239] This was followed up by the band’s first greatest hits albumPapercuts, which was released on April 12. The collection also includes “Friendly Fire”, as well as the first official release of the song “Qwerty“, which first appeared on LP Underground 6.0 in 2006.[240] On April 30, 2024, Billboard reported that Linkin Park’s booking agency WME had taken offers for both a potential reunion tour and headlining festival dates to take place in 2025, with the lineup featuring Shinoda, Delson, Farrell, and a female vocalist in place of Bennington.[241]

    At a livestreamed event on September 5, Linkin Park announced the band’s comeback, including Armstrong and Brittain’s entry into the band.[1][242][243] In addition, the band performed and released “The Emptiness Machine“, the lead single of the group’s eighth album From Zero, which was released on November 15, 2024.[1][242][243] The band’s decision to add Armstrong was met with some criticism due to her connections with the Church of Scientology and perceived support of convicted rapist Danny Masterson.[244][245] The Mars Volta frontman Cedric Bixler-Zavala, who had first directed the aforementioned accusations towards Armstrong back in 2023, stated that Linkin Park was “not doing their due diligence before hiring her”;[244] one of Bennington’s sons said that Linkin Park “betrayed the trust” of the fanbase with the change.[245] Armstrong responded to the criticism via an Instagram story, stating that she had not been in contact with Masterson since attending his 2020 court appearance and that she condemned his crimes;[246][247] however, she did not clarify her status with Scientology.[244][246] Though, BBC noted that the lyrical content she wrote for Dead Sara suggests Armstrong’s rejection of their teachings.[248]

    The band performing in 2025

    Linkin Park embarked on a nine-date arena tour across four continents on September 11 at the Kia Forum in Inglewood.[243] After Alex Feder performed in his place at the comeback event, Delson announced his decision to withdraw from touring to concentrate on the “behind the scenes” aspects of the band.[249] The tour is scheduled to conclude in São PauloBrazil, on November 16, 2024.[250] According to Shinoda, Linkin Park will be “touring heavily” in 2025.[1][242] The album’s second single, “Heavy Is the Crown“, was released on September 24, 2024, and was used as the main theme for Riot Games‘ 2024 League of Legends World Championship.[251][252] The album’s third single, “Over Each Other“, was released on October 24, 2024.[253] The album’s fourth single, “Two Faced“, was released on November 13, 2024.[254][255]

    Philanthropy

    On January 19, 2010, Linkin Park released a new song titled “Not Alone” as part of a compilation from Music for Relief called Download to Donate for Haiti in support of the Haiti Earthquake crisis.[256][257][258] On February 10, 2010, Linkin Park released the official music video for the song on their homepage.[257][258] The single itself was released on October 21, 2011.

    On January 11, 2011, an updated version of Download to Donate for Haiti was launched, called Download to Donate for Haiti V2.0, with more songs to download.[259] For the updated compilation, the band released Keaton Hashimoto’s remix of “The Catalyst” from the “Linkin Park featuring YOU” contest.[259]

    Shinoda designed two T-shirts, in which the proceeds would go to Music for Relief to help the victims of the 2011 Tōhoku earthquake and tsunami disasters.[260][261] Music for Relief released Download to Donate: Tsunami Relief Japan, another compilation of songs, in which the proceeds would go to Save the Children.[262] The band released the song titled as “Issho Ni”, meaning “we’re in this together”, on March 22, 2011, via Download to Donate: Tsunami Relief Japan.[263]

    In the wake of Typhoon Haiyan in 2013, Linkin Park played at Club Nokia during the “Music for Relief: Concert for the Philippines” in Los Angeles, and raised donations for victims.[264][265] The show was broadcast on AXS TV on February 15.[264][265] Other artists during the show included the OffspringBad ReligionHeart, and the Filharmonic.[264][265]

    Musical style and influences

    Linkin Park combines elements of metalindustrialpunkpopelectronic and hip hop.[266] More specifically, the band has been categorized as alternative rocknu metalrap rockrap metalalternative metalelectronic rockpop rockhard rock, and industrial rock.[note 1] Despite being considered nu metal, the band never considered themselves as such.[291]

    Both Hybrid Theory and Meteora combine alternative metal,[292] nu metal,[293] rap rock,[294] rap metal,[295] and alternative rock[296] sounds with elements of hip hop and electronica,[297][298] utilizing programming and synthesizers. William Ruhlmann from AllMusic regarded it as “a Johnny-come-lately to an already overdone musical style,”[299] whereas Rolling Stone described their song “Breaking the Habit” as “risky, beautiful art”.[300]

    In Minutes to Midnight, the band experimented with their established sound and drew influences from a wider and more varied range of genres and styles, a process Los Angeles Times compares to a stage in U2‘s work.[301] Only two songs on the album’s tracklist feature rap vocals and the majority of the album can be considered as alternative rock.[302][303]

    The vocal interplay between Chester Bennington and Mike Shinoda played as a major part within Linkin Park’s music, with Bennington being the lead vocalist and Shinoda as the rapping vocalist. On Linkin Park’s third album, Minutes to Midnight, Shinoda sings lead vocals on “In Between”, “Hands Held High”, and on the B-side “No Roads Left”. On numerous songs from the band’s fourth album, A Thousand Suns, such as the album’s singles (“The Catalyst“, “Burning in the Skies“, “Iridescent“), both Shinoda and Bennington sing. The album has been regarded as a turning point in the band’s musical career, having a stronger emphasis on electronica.[304][305] James Montgomery, of MTV, compared the record to Radiohead‘s Kid A,[306] while Jordy Kasko of Review, Rinse, Repeat likened the album to both Kid A and Pink Floyd‘s landmark album The Dark Side of the Moon.[307] Shinoda stated that he and the other band members were deeply influenced by Chuck D and Public Enemy. He elaborated: “Public Enemy were very three-dimensional with their records because although they seemed political, there was a whole lot of other stuff going on in there too. It made me think how three-dimensional I wanted our record to be without imitating them of course, and show where we were at creatively”.[308] One of the record’s political elements is its samples of speeches by American political figures.[309] A Thousand Suns was described as trip hop,[310] electronic rock,[285][311] ambient,[310] alternative rock,[312] industrial rock,[290] experimental rock,[313] rap rock,[314] and progressive rock.[315]

    Their fifth album, Living Things, is also an electronic-heavy album, but includes other influences, resulting in a harder sound by comparison.[316][317] The band returned to a heavier sound compared to their last three albums on The Hunting Party, which was described as an alternative metal,[318][319][320] nu metal,[321] hard rock,[318][322] rap rock,[323] and rap metal album.[324] Their seventh album, One More Light, was described as pop,[325][326] pop rock[288][327] and electropop.[328]

    Linkin Park’s influences include SoundgardenAlice in ChainsPearl JamStone Temple PilotsJane’s AddictionNirvanaRed Hot Chili PeppersNine Inch NailsMinistrySkinny PuppyMachines of Loving GraceMetallicaRefusedMinor ThreatFugaziDescendentsMisfitsBeastie BoysRun-DMCA Tribe Called QuestRob Base and DJ E-Z RockN.W.APublic EnemyKRS-OneBoogie Down ProductionsLed ZeppelinRage Against the MachineStrifeHelmet, and the Beatles.[329][330][331][332][333]

    Many of the group’s song lyrics deal with alienation, introversion, and personal struggle and suffering.[334]

    Legacy

    Linkin Park has sold more than 100 million records worldwide.[335][336] The group’s first studio album Hybrid Theory is one of the best-selling albums in the US (12 million copies shipped) and worldwide (30 million copies sold).[337] Billboard estimates that Linkin Park earned US$5 million between May 2011 and May 2012, making them the 40th-highest-paid musical artist.[338] 11 of the band’s singles have reached the number one position on Billboard‘s Alternative Songs chart, the second-most for any artist.[339]

    In 2003, MTV2 named Linkin Park the sixth-greatest band of the music video era and the third-best of the new millennium.[340] Billboard ranked Linkin Park No. 19 on the Best Artists of the Decade chart.[341] The band was voted as the greatest artist of the 2000s in a Bracket Madness poll on VH1.[342] In 2014, the band was declared as the Biggest Rock Band in the World Right Now by Kerrang!.[343][344] In 2015, Kerrang! gave “In the End” and “Final Masquerade” the top two positions on Kerrang!‘s Rock 100 list.[345]

    Linkin Park became the first rock band to achieve more than one billion YouTube views.[346] Linkin Park’s “Numb” is the third and “In the End” is the sixth “timeless song” on Spotify. The two songs make Linkin Park the only artist to have two timeless songs in the top ten.[347]

    Hybrid Theory by the group was listed in the 2005 edition of the book 1001 Albums You Must Hear Before You Die, It was also ranked at No. 11 on Billboard‘s Hot 200 Albums of the Decade.[348] In addition the album was included in Best of 2001 by Record CollectorThe top 150 Albums of the Generation by Rock Sound and 50 Best Rock Albums of the 2000s by Kerrang!. The album Meteora was included in Top 200 Albums of the Decade by Billboard at No. 36. The album sold 20 million copies worldwide. The collaborative EP Collision Course with Jay-Z became the second ever EP to top the Billboard 200, going on to sell over 300,000 copies in its first week after Alice in Chains‘ Jar of Flies in 1994. The album Minutes to Midnight, in the United States, had the biggest first week sales of 2007 at the time, with 625,000 albums sold.[349] In Canada, the album sold over 50,000 copies in its first week and debuted at number one on the Canadian Albums Chart. Worldwide, the album shipped over 3.3 million copies in its first four weeks of release.[350]

    The New York Times‘ Jon Caramanica commented Linkin Park “brought the collision of hard rock and hip-hop to its commercial and aesthetic peak” at the beginning of the 2000s.[351] Several rock and non-rock artists have cited Linkin Park as an influence, including Of Mice & Men,[352] One OK Rock,[353] Kutless,[354] My Heart to Fear,[355] Ill Niño,[356] Bishop Nehru,[357] From Ashes to New,[358] Bring Me the Horizon,[359] Spyair,[360] Hardy,[361] I Prevail,[362] Crossfaith,[363] AJ Tracey,[364] the Chainsmokers,[365] the Devil Wears Prada,[366] Steve Aoki,[367] Blackbear,[368] Halsey,[369] Amber Liu,[370] Machine Gun Kelly,[371] Billie Eilish,[372] Starset,[373] the Weeknd,[374] and You Me at Six.[375]

    On August 20, 2020, their 20th anniversary, Linkin Park collaborated with virtual reality rhythm game Beat Saber to release 11 maps based on their songs.[376]

    Band members

    Current membersMike Shinoda – lead and rap vocals, rhythm guitar, keyboards, samples, synthesizers (1996–2017, 2023–present)Brad Delson – lead guitar (1996–2017, 2023–present; not touring since 2024); backing vocals (2000–2017); keyboards, synthesisers, samples (2007–2017); bass (2000)Joe Hahn – turntables, synthesizers, samples, programming (1996–2017, 2023–present); backing vocals (2000–2017, 2023–present)Dave “Phoenix” Farrell – bass (1996–1999, 2000–2017, 2023–present); backing vocals (2002–2017, 2023–present); keyboards, samples (2008–2017)Emily Armstrong – lead vocals (2023–present)Colin Brittain – drums, percussion (2023–present)Current touring musiciansAlex Feder – lead guitar, backing vocals (2024–present; substitute for Brad Delson)[249]Former membersRob Bourdon – drums, percussion (1996–2017); backing vocals (2000–2017)Mark Wakefield – lead vocals (1996–1998)Chester Bennington – lead vocals (1999–2017; his death)Kyle Christner – bass (1999)[377]Former touring musiciansScott Koziol – bass (2000)[378]

    Timeline

    Discography

    Main articles: Linkin Park discography and List of songs recorded by Linkin Park

    Studio albums

    Awards and nominations

    Main article: List of awards and nominations received by Linkin Park

    Concert tours

    Headlining

    Co-headlining